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Spring
Ricciotti’s Gametour 9 till 14 Apr ’18
©Wout Nooitgedagt
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©Marissa Jalink
©Marissa Jalink
©Marissa Jalink
©Marissa Jalink
©Marissa Jalink

Let the games begin! With this call we will play our Gametour next spring. With the theme 'Game' and in the broader sense 'Games', we draw on an enormous source of inspiration, associations and current affairs. More than ever, our society is digitally connected and millions of people find each other - whether or not through games - in a parallel world. But with millions of faces focused on smartphones, the real human contact is increasingly lacking.

Connecting element
The Ricciotti will change this during this tour, by using the digital means as a physical connecting element. It will be a tour where people will find each other and make real contact.


Fully charged and with a combination of apps, electronics, multidisciplinary compositions and special instruments, we step into the Game World with our soloists PERFORATOR, looking for new forms of contact with the audience. During our six-day tour through the Netherlands you will hear how elements from the theme 'Game' can be found directly in the compositions for symphony orchestra.

Calendar
  1. DateEvent
  2. 9 AprRicciotti’s Gametour
  3. TimePlace, locationNote
  4. 10:30 → 11:30Het Anker,
    → Harreveld    Private performance, not open to the public, Social institution
  5. 11:30 → 12:10Het Anker,
    → Harreveld    Private performance, not open to the public, Social institution
  6. 13:00 → 14:00Het Anker,
    → Harreveld    Private performance, not open to the public, Social institution
  7. 14:00 → 14:45Het Anker,
    → Harreveld    Private performance, not open to the public, Social institution
  8. 19:30 → 21:00De Hulsen,
    → Nijmegen    Private performance, not open to the public, Social institution
  1. DateEvent
  2. 10 AprRicciotti’s Gametour
  3. TimePlace, locationNote
  4. 11:00 → 11:45Montessori College,
    → Nijmegen    Private performance, not open to the public
  5. 11:50 → 12:20Montessori College,
    → Nijmegen    Private performance, not open to the public
  6. 13:30 → 14:15Dominicus College,→

    Nijmegen

    ism Buma Music Academy

    Private performance, not open to the public
  7. 14:30 → 15:15Dominicus College,→

    Nijmegen

    ism Buma Music Academy

    Private performance, not open to the public
  8. 20:00 → 21:00De Gaarshof,
    → Baarle-Nassau    Private performance, not open to the public, Social institution
  1. DateEvent
  2. 11 AprRicciotti’s Gametour
  3. TimePlace, locationNote
  4. 10:00 → 10:50Jan Tinbergen College,
    → Roosendaal    Private performance, not open to the public
  5. 11:00 → 11:45Jan Tinbergen College,
    → Roosendaal    Private performance, not open to the public
  6. 14:45 → 16:15Zorggroep Ter Weel,
    → Goes    Open to the public, Social institution
  7. 17:00 → 18:00AZC,
    → Middelburg    Private
  8. 20:00 → 21:30Locatie n.t.b.,
    → Breda    Open to the public
  1. DateEvent
  2. 12 AprRicciotti’s Gametour
  3. TimePlace, locationNote
  4. 10:15 → 11:00Erasmus College,
    → Zoetermeer    Private
  5. 11:00 → 12:00Erasmus College,
    → Zoetermeer    Private
  6. 12:15 → 13:15Erasmus College,
    → Zoetermeer    Private
  7. 16:00 → 17:00Stichting Piëzo,→

    Zoetermeer

    Zanzibarplein 21, Oosterheem

    Open to the public, Social institution
  8. 19:30 → 21:30Nationaal Videogame museum,
    → Zoetermeer    Open to the public
  1. DateEvent
  2. 13 AprRicciotti’s Gametour
  3. TimePlace, locationNote
  4. 13:30 → 14:30Fiep Westendorpschool,
    → Amsterdam    Private
  5. 15:30 → 16:30Abtswoudepad behind Fiep Westendorpschool,→

    Amsterdam

    Garden at Abtswoudepad. In case of bad weather, an alternative location will announced here.

    Open to the public
  6. 17:30 → 18:15De Ravelijn,
    → Zeewolde    Private
  1. DateEvent
  2. 14 AprRicciotti’s Gametour
  3. TimePlace, locationNote
  4. 10:30 → 11:30De Joriskring,
    → Amsterdam    Reservation necessary, Social institution
  5. 13:30 → 14:30Sint Laurenskerk,
    → Weesp    Open to the public
  6. 15:30 → 16:00Puck,→

    Amsterdam

    Jan Evertsenstraat 747

    Open to the public
  7. 17:00 → 17:45Atelier Schinkel,
    → Amsterdam    Private
  8. 19:30 → 22:00Amstelkerk,→

    Amsterdam

    Finale arrangeerwedstrijd 2018 en slotoptreden.
    Amstelveld 10, Amsterdam

    Open to the public
Alle optredens zijn gratis en zonder reserveren toegankelijk, tenzij anders vermeld.
Private

Optreden voor een besloten
publiek, in uitzonderlijke gevallen toegankelijk op aanvraag via
rosa@ricciotti.nl

Open to the public

Gratis en voor iedereen

Social institution

Openbaar optreden in een Sociale instelling

Repertoire

Premieres
Perforator Circles - Jornt Duykx
Configuring Pixellations - Thomas van Dun
Imitation Games - Theo de Blasis
Robben staat vrij - Leonard Evers


Classical
Ouverture Die Meistersinger von Nürnberg - Richard Wagner
Jeux d’Enfants (delen) - Georges Bizet
Ouverture Pique Dame - Pyotr Ilyitch Tchaikovsky
Ouverture Orfeo ed Euridice - Christoph Willibald Gluck
Jeu de Cartes (eerste deling) - Igor Stravinsky
Ouverture Guillaume Tell - Gioachino Rossini
Kinderszenen (delen) - Robert Schumann (arr. A. Buskermolen en L. Evers)
The Chariot Race - John Philip Sousa (arr. H. Bouma)


Repertoire
Finalists Arrangeerwedstrijd: (in alphabetic order)
-Overlord Tango - Jeroen Tel (arr. Vera van der Bie, finalist arrangeerwedstrijd)
-Savage - Jeroen Tel (arr. Hinse Mutter, finalist arrangeerwedstrijd)
-Overlord - Jeroen Tel (arr. Alisdair Pickering, finalist arrangeerwedstrijd)


Flying Kitten - Didier Lockwood (arr. P. Keijsers)
Mister Lucky Theme - Henry Mancini (arr. T. Trapp)
Suite Idraulico - Trad. (arr. B. Mathot)
Pokémon Theme - Trad. (arr. A. Hensens)
Korobejniki - Trad. (arr. G. Kramers)


With PERFORATOR
Andiamo! - Chiel Meijering
Marvelous Nakamba – PERFORATOR (arr. L. Deane)
Raymond Fafiani – PERFORATOR (arr. J. Passenier)
Jarchinio Antonia – PERFORATOR (arr. T. Wybenga)
Akim en z’n Orgel - Akim Moiseenkov (arr. D. Nauta)
Plugged Pling Plong Ding - Leonard Evers
Arsenio Halfhuid – PERFORATOR (arr. B. Faber)


Conductor
Leonard Evers

Members
  1. Fluit

  2. Rosanne van Bers

    Floortje de la Fosse

  1. Hobo

  2. Maud Busschers

    Yasmina Vandenberghe

  1. Klarinet

  2. Dorus van den Boomen

    Kevin Otte

  1. Fagot

  2. Jenny Halff

    Rachel Parker

  1. Saxofoon

  2. Ana Lucia Garcia Clemor

  1. Hoorn

  2. Jochem van Hoogdalem

    Karin van Rens

  1. Trompet

  2. Julia Koenen

    Elisabeth Lusche

  1. Trombone

  2. Hugo Santos

  1. Percussie

  2. Agata Kruszewska

  1. Viool 1

  2. Saskia Peters

    (CM)

    Leonoor van de Merwe

    Maxje de Wit

    Sofie van der Pol

    Seringe Huisman

    Stijn Brinkman

    Felix Kessels

    Serena Vanheuverswijn

  1. Viool 2

  2. Linde van de Ven

    (av)

    Cuun Koek

    Douwe Nauta

    Lotte Post

    Eva Scheltema

    Charlotte van Tongeren

    Rosa Verkerke

  1. Altviool

  2. Annemarie Hensens

    (av)

    Hugo Bouma

    Irma Pruim

  1. Cello

  2. Jan van der Plas

    (av)

    Dieuwke Smit Sibinga

    Anja Bolza-Schüneman

    Sophie Ehling

  1. Contrabas /
    basgitaar

  2. Orrin van Leeuwen

    (av)

    Benjamin de Boer

    Daniël de Boer

    (basgitaar)
Soloists

PERFORATOR consists of oboist Marlies van Gangelen (1988) and composer / musician Akim Moiseenkov (1987). The duo combines contemporary electronic music with modern classical, improvisation and movement. Marlies plays oboe with electronic effects, Akim uses synthesizers and joysticks to make music. The performances get an extra dimension through motion sensors, attached to their bodies. The duo is looking for the correlation between sound and movement through this path.

Both musicians have different musical backgrounds. For example, Marlies attended a bachelor's classical oboe at the Conservatory of Amsterdam (CvA) before moving to London to focus on improvisation during her master's at the Guildhall School of Music and Drama. Akim studied tests at the CvA's pop department, followed by the master's in Live Electronics.

PERFORATOR involves the public in the performances in a unique and contemporary way. Electronics and apps are a creative means for interaction.

©Wout Nooitgedagt
Sponsors

Fonds voor Cultuurparticipatie, Amsterdams Fonds voor de Kunst, Fonds Podiumkunsten, VSB fonds, Triodos Foundations, Acer NL, Stichting Educatie en Cultuur, Cultuurfonds Zoetermeer